Training Notes – 01.05.2015

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This week was a great opportunity to focus in on some core skills that are central to our approach: striking and biomechanical manipulation from the closed high guard (think Pensador type thing) and striking from disadvantaged positions.

Striking from the Closed High Guard:

From a closed high guard, we looked at sending out hook punches, hammer fists and elbow strikes. The focus, as well as being on good striking and footwork, was on snapping back to the guard quickly this time to protect those knockout areas of the neck, jaw and temples as best as we can, while driving into the attacker in a form that makes us awkward and difficult to attack.

Of course, this position also lends itself to devastating and relatively easy elbow striking.

Following this, we used jab kicks to create distance and break posture, and controlled the head of an attacker to create our own striking opportunities rather than passively waiting for them to arise. We used this to discuss the devastating effect of a good elbow strike and how the drop-step can add a lot of power. When utilising uppercuts, we discussed kinetic linking: how to generate massive amounts of power by using more of your body in a more efficient way than just boffing your fist up with the power of your arm alone.

Again: breathwork, posture and movement.

Striking from Disadvantaged Positions:

Not a nice place to be, lying on the floor getting kicked and stamped on. But that’s where we started off this drill! As a simple exercise in distance management, we gained control of the attacker’s legs with a quick movement towards the nearest calf. We explored how to generate striking power from this position even as we moved in, by planting a foot into the floor and pushing with it as we used the torso to add in a measure of rotational power generation, thus recruiting as many muscles as we can from that position into the strike.

Immediately as the strike lands, we closed in and gained (and tested!) the control we needed. Now that the attacker was unable to kick us or stamp on us so easily, we could climb our way up or take the opponent to the floor as we get up from a much safer position.

Being Threatened with an Edged Weapon:

A nasty position again, but one that’s worth looking at! Being held up with an edged weapon to your throat. Of course, as always we say the same thing: I’ll give away whatever it is that’s asked of me to be honest if a knife’s on my throat! However, it’s possible you might feel that that might not be enough. You might have that horrible gut feeling that he’s going to fillet you regardless afterwards, or the attacker might not want your money at all: he might just be enjoying the look in your eyes as you realise he’s going to kill you. Thus, it’s worth exploring how to act.

We worked on engaging the attacker with verbal skills – deception and distraction – and acting at an appropriate moment. Acting efficiently, we looked at getting the blade to an initial position of relative safety – away from your throat – and either controlling directly or if that was impossible just placing a barrier between the blade and your throat. We looked at which directions were viable for escape, and which were not, and how best to move in those directions to stay as safe as we could and hopefully not die.

I must as always reiterate – this is the seriousness of any edged weapon work. What you’re doing here is hopefully not dying. That’s about as good as anyone can give you in this area. You’re not necessarily coming away unscathed, or taking the knife and heroically removing some scum from the streets to further your vigilante career, but you’re just trying to survive. Anything better than that is a bonus.

As always, incredible effort by all and a wonderful session. See you all next time!

-Josh

All the details of this class are on the Public Classes page up at the top. Your first session is FREE and all are welcome to come along and take part. Every session is beginner-friendly. If anyone has any questions, don’t hesitate to get in touch.

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Review: ‘The Pavement Arena Part 3’ by Peter Consterdine and Geoff Thompson

Consterdine, Peter and Thompson, Geoff. The Pavement Arena Part Three: ‘Grappling – The Last Resort’. Legend Video Productions. 1994.

Review: The Pavement Arena Part 3: ‘Grappling – The Last Resort’:
by Josh Nixon, ESP

This review is part of a series. Part one can be found here, part two can be found here, this is part three, part four can be found here and part five (sort of – it follows on from part four but isn’t part of the Pavement Arena series) can be found here.

This third instalment in the popular ‘Pavement Arena’ series is, again, often eye-opening to its viewers. Many do not consider grappling in enough depth for its real combative applications, and many court it too much which can lead to problems of its own. With grappling in particular, a balance must be struck between training it enough to be competent and thus to (hopefully) survive the horrible situation of finding yourself grappling with an assailant, and training it to the exclusion of other things, such as punching. In addition, we must be very careful with how we train grappling, as it can be easy to fall into a sporting paradigm when learning grappling from arts such as Judo. While Judo is excellent and is one of the activities I personally intend to enjoy much more in the near future (as I feel I can learn a lot from it, it will be very enjoyable and will be great for my fitness and strength), we must remember that it is a sport and that certain aspects of sports-based training must be kept strictly separate from self-protection training, just as the premise of this series is that traditional martial arts training and self-protection training are not the same and thus the differences must be appreciated for self-protection training to be efficient.

This video begins with this essential discussion of the realities of grappling in real combative situations, which (as with the others of the series) sets the tone immediately of a solid and well-thought-out presentation. There are some ground mobility drills involving breakfalls near the beginning which, of course, are only to be used on mats. Rolling can work fine on a hard surface, but slapping breakfalls are good only for soft, level surfaces. Never attempt on a hard or uneven surface! They’re essential in grappling training on a matted surface though, in order for partners to fall more realistically for each other without injury and thus to allow the necessary full-force, realistic throwing. The required safety aspects of training in grappling are emphasised in the video, such as the Tap-Out safety system and the necessity of having an onlooker while grappling.

Where this video stands out from the crowd, however, is its treatment of what to do while grappling; specifically of striking from a close range. Many neglect striking at close ranges but this is not an effective way to train or teach for self-protection. The reality is that striking is absolutely necessary at this range as it is at any other, and effective power generation and targeting is essential. Geoff Thompson does a nice section on effective headbutting too, which is an often-overlooked area of combat, followed by some information on blood and air choking.

Making throws work for real combat is another module of essential knowledge that this video introduces you to. What is more interesting however is the section on bag work for grappling training, which I haven’t (yet) seen in any other video. The way they demonstrate the movements done on the bag with cuts to a live partner clip is very effective to help understand what you’re doing with this kind of work too.

I’ll finish with one quote that really stands out for me from this video: ‘the scruffy stuff works’. The concept of progressive sparring, perhaps new to many, is very much worth incorporating into any serious training. This video is well-worth adding to anyone’s collection and if grappling is a mystery to you then it is a certainly a very valuable introduction.

This video is available on DVD or for digital download (much cheaper, understandably) from http://www.peterconsterdine.com/store.htm. Further information and a download link can also be found at http://www.peterconsterdine.com/arena3.htm.

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